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Message: <blockquote data-quote="AlleyCat" data-source="post: 1172247" data-attributes="member: 2194">Only focusing, for the moment on mids to tops, I am not worried about it at all, I gained more clarity, articulation, transparency,  etc, where I can now distinctly tell, and hear the differences of metal or wood, plastic drum sticks, hands on drum skins or cymbals. I can easily now differentiate between the swishes of the brushes and hearing the opening 'volume/air,' when the hi-hat cymbals open and closes, and it's decay. Any guitars, voices, pianos, etc, their ranges, harmonics, accentuation's, easily discernible and appreciated more.I agree, more challenging is how what happens below 250Hz and how best I can smooth that transition (with my present resources). Subjectively, there's improvements daily, and I could easily live with it. The other 'little devil' sitting on the other shoulder, wants none of it. He wants to see how far this could be pushed, including your suggestions. <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite2" alt=";)" title="Wink    ;)" loading="lazy" data-shortname=";)" /> <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite22" alt="(y)" title="Thumbs up    (y)" loading="lazy" data-shortname="(y)" /></blockquote>